Fine broad style, a late stage of the severe. In the interior the right arm of Athene and the greater part of the heads of Athene and Pandora have been restored in pencil, part of the chiton of Pandora in water-colour. Portions of both the exterior and interior designs are missing. On the right of the horse are two figures: a woman in long sleeved chiton, himation, and radiated sphendone, holding out a phiale in her left, pours wine on the ground from a jug in her right facing her on the right is an old man in long chiton, himation and fillet, who stands en face, but looks at the last figure, leaning with his right shoulder against a crutched staff from his open mouth and the gesture of his left he seems to be addressing her. On left is a woman in long chiton and himation, hair knotted with a fillet, raising to her face with her right a flower. Wears chlamys, fillet, and petasos at his back. The horse occurs as before, but is turned to left beside it in the background is an ephebos in an himation and fillet, with a staff in his right, standing en face, but looking to left at an ephebos who moves away, looking back and leading the horse by a halter in his left he carries a spear and Confronting her is a bearded man in himation and fillet, with right hand resting on his hip, leaning against a staff, who offers her with his left a purse. Beside the horse in the background stands a woman to left in a long sleeved chiton, himation, saccos, and stephane, who holds up in her right a honeysuckle-flower. The other is closely draped in an himation, and carries on his left arm a crutched staff, the handle pointing obliquely downwards he wears a fillet. In the centre a horse standing to right is approached by two ephebi, of whom the foremost, wearing chlamys, fillet, and petasos hanging at his back, with a spear on his left arm, holds in his right a halter, which seems to be attached to the bit. The figures rest on a thin black ground-line cutting off an exergue left empty.Įxterior: (a) Scene in the palaestra (?). Hephaestos wears a somewhat scanty himation, and holds in his left hanging at his side a hammer his hair is short at the back, but has the ends passed over the ears and confined with a gilded fillet. The aegis is decorated with a diaper pattern instead of scales. Athene on the left wears a long chiton tied up at the waist with a girdle, the ends of which fall in front under the upper fold of the chiton round her shoulders is the aegis fringed with snakes and set with Gorgoneion on the breast. She looks to the left and wears a long sleeved chiton undertied and decorated with stars her hair falls loose on her shoulders, confined with a fillet, which apparently Hephaestos has just placed there Athene appears to be fastening the chiton of Pandora on her shoulders. In the centre Pandora (also known as Anesidora) stands en face, in a stiff attitude like an archaic xoanon (wooden cult image), with feet together and hands at sides with each hand she raises slightly an edge of her drapery over her is inscribed her name, Weapon may require a source of power such as an item.Pottery: red-figured cup, with white ground.May not be able to overpower Transcendent Weaponry.Darkness Weaponry can fairly counter this.May rely upon being out in light for any kind of strength at all, or at least for its supernatural abilities, and may lose said abilities when out of direct light sources for a set amount of time.The power of the weapons depends on what they were created for or what level of light-based ability they posses. This ability is not only specific to mystic weapons, but also technologically advanced weapons. User can to create or wield weaponry with power over light, which grants the user a wide variety of light-based abilities.
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